ANIME-Def.si tehnicile care erau si sant folosite pt animati

Am zis ca e bene sa stiti cum sunt făurite animeurile si tehnicile creatorilor lor . (textul sar putea sa fie cam complicat....sper ca shtizi engleza )
DEF.
Anime (アニメ, Anime?) is a style of cartoon animation originating in Japan, with distinctive character and background aesthetics that visually set it apart from other forms of animation. While some anime is entirely hand-drawn, computer assisted animation techniques are quite common. Storylines are typically fictional; examples of anime representing most major genres of fiction exist. Anime is broadcast on television, distributed on media such as DVDs, VHSs, or included in console and computer games. Anime is influenced by Japanese comics known as manga. Some anime storylines have been adapted into live action television programs .

Techniques

The drawing style used in anime that is created for television is counter productive to the animation process. The anime style has an emphasis on detail that subsequently creates difficultly with meeting production schedules and budgets, which is in contrast to animation styles that have design ethics that stress simplicity. Thus, the anime style has a philosophy of applying more effort into each of a few drawings than less effort into one of many.

Osamu Tezuka adapted and simplified many Disney animation precepts to reduce the budget costs and number of frames in the production. This was intended to be a temporary measure to allow him to produce one episode every week with an inexperienced animation staff. Some animators in Japan overcome production budgets by utilizing different techniques than the Disney or the old Tezuka/Otsuka methods of animating anime. Due to reduced frame rate, several still shots and scrolling backgrounds, scenes are created with a greater focus on quality than the rest of the production. Animator Yasuo Ōtsuka was a pioneer of this technique. Directors such as Hiroyuki Imaishi (Cutey Honey, Dead Leaves) simplify backgrounds so that more attention can be paid to character animation. Other animators like Tatsuyuki Tanaka (in Koji Minamoto's Eternal Family in particular) use squash and stretch, an animation technique not often used by Japanese animators; Tanaka makes other shortcuts to compensate for this. Anime studios use techniques to draw as little new animation as possible such as using dialogue that involves only animating mouths while the rest of the screen remains absolutely unchanged, a technique familiar to Western animation styles.
Mylene Jenius from Macross 7, a graphically prototypical female anime character
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Mylene Jenius from Macross 7, a graphically prototypical female anime character

Some higher-budgeted television and OVA (Original Video Animation) series also forego the shortcuts found in most other anime. Classic films, such as those produced by Toei Animation up until the mid 1960s, and recent big budget films, such as those produced by the enormously successful Studio Ghibli have much higher production budgets, due to their anticipated success at the box office.

Another unique aspect of anime not found in other commercial animation markets is the lack of a directorial system. Animation productions tend to keep to a set style by the director or animation director. In Japan starting with the animation director Yoshinori Kanada (as a means to save time and money) allowed each animator to bring their own individual style to the work. An example of this is the The Hakkenden that showed constantly shifting styles of animation from episode to episode, based upon the key animator that worked on that special episode.

Many non-Japanese cartoons are starting to incorporate mainstream anime shortcuts and symbols in an attempt to appeal to the sizable anime fanbase in many countries, to cut costs, as an effort to be viewed more like art, and sometimes simply because of creators' own interest in anime.

Cam atata mai am si stilull tot in engleza. Daca vretzi sa il postez si pe acesta va rog spunetzi :-)